{"id":693,"date":"2025-07-30T16:01:30","date_gmt":"2025-07-30T20:01:30","guid":{"rendered":"https:\/\/www.mirrer.com\/MirrerView\/?p=693"},"modified":"2025-08-05T10:10:38","modified_gmt":"2025-08-05T14:10:38","slug":"how-dave-edmunds-changed-rock-n-roll","status":"publish","type":"post","link":"https:\/\/www.mirrer.com\/MirrerView\/2025\/07\/30\/how-dave-edmunds-changed-rock-n-roll\/","title":{"rendered":"How Dave Edmunds changed rock &#8216;n&#8217; roll"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"588\" src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveRockfield-800x588.png\" alt=\"\" class=\"wp-image-706\" style=\"width:840px;height:auto\" srcset=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveRockfield-800x588.png 800w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveRockfield-300x221.png 300w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveRockfield-150x110.png 150w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveRockfield-768x565.png 768w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveRockfield-1536x1129.png 1536w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveRockfield-1280x941.png 1280w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveRockfield.png 1949w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\"><em>Dave Edmunds in his native habitat: the recording studio.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Dave Edmunds didn&#8217;t invent rock &#8216;n&#8217; roll.<\/p>\n\n\n\n<p>But he studied it. Absorbed it. Made it part of his very being.<\/p>\n\n\n\n<p>And, once he blended it with his own unique style, Dave Edmunds made rock &#8216;n&#8217; roll <em>better<\/em>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">An original, even when he copied someone<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"800\" src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Dave-ad-654x800.png\" alt=\"\" class=\"wp-image-695\" style=\"width:380px;height:auto\" srcset=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Dave-ad-654x800.png 654w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Dave-ad-245x300.png 245w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Dave-ad-123x150.png 123w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Dave-ad-768x940.png 768w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Dave-ad-1255x1536.png 1255w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Dave-ad.png 1270w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/figure>\n<\/div>\n\n\n<p>Despite 50 years in the music biz, Dave was very good at staying out of the public eye.<\/p>\n\n\n\n<p>&#8220;I&#8217;m not in show business. I don&#8217;t have a manager, an agent or a publicist,&#8221; he said in a rare 1973 interview at Rockfield. &#8220;I just stay (in the studio) and make records.&#8221;<\/p>\n\n\n\n<p>His biggest hit was his first one: &#8220;I Hear You Knocking,&#8221; in 1970. <sup>1<\/sup><\/p>\n\n\n\n<p>He retired in 2017, but has left us with a wondrous legacy of music.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">What. A. Voice<\/h2>\n\n\n\n<p>Dave Edmunds was a breathtaking singer, easily one of rock&#8217;s best. He could slide from a low growl to a sweet pop sound &#8211; even in the same song.<\/p>\n\n\n\n<figure class=\"wp-block-audio aligncenter\"><audio controls src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/NotAWomanNotAChild.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><em>Excerpt of &#8220;Not a Woman, Not a Child,&#8221; from &#8220;Tracks on Wax 4&#8221;<\/em><\/figcaption><\/figure>\n\n\n\n<p>His voice was strong, assured, wild when needed, heartbreaking when the song demanded it.<\/p>\n\n\n\n<p>Dave was a good mimic when he wanted to be. But in his best work, he used that talent merely as a starting point. When he sang, you know he loved Jerry Lee Lewis and George Jones. But he always sounded like &#8230; Dave Edmunds.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"500\" src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/BornFighters-800x500.png\" alt=\"\" class=\"wp-image-699\" srcset=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/BornFighters-800x500.png 800w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/BornFighters-300x188.png 300w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/BornFighters-150x94.png 150w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/BornFighters-768x480.png 768w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/BornFighters-1536x960.png 1536w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/BornFighters-2048x1280.png 2048w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/BornFighters-1280x800.png 1280w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\"><em>Dave in a London studio, 1978. (Screengrab from &#8220;Born Fighters&#8221;)<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">A premier song stylist and musician<\/h2>\n\n\n\n<p>Dave wasn&#8217;t primarily a songwriter. But he could take a tune written by someone else and make it his own.<\/p>\n\n\n\n<p>Many of his choices were lesser-known songs \u2013 a Cliff Richard b-side, an oldie that wasn&#8217;t a hit its first time out. <\/p>\n\n\n\n<p>He also benefitted from well-known artists who happily sent him songs, including Bruce Springsteen and Elvis Costello. <sup>2<\/sup><\/p>\n\n\n\n<p>As a guitar player Dave mastered whatever style he put his mind to: the rockabilly twang, the power pop chime, the bluesy bend. Dark and light. <sup>3<\/sup><\/p>\n\n\n\n<p>Early in his career, he fooled around with high-octane performances of classical compositions (his best-known was Khachaturian&#8217;s &#8220;Sabre Dance,&#8221; though I preferred his take on Bizet&#8217;s &#8220;Farandole&#8221;). Later on, he explored Chet Atkins-style fingerpicking and instrumental arrangements of pop classics.<sup>4<\/sup><\/p>\n\n\n\n<p>Dave also taught himself to play drums. And piano. And sax. And bass.<\/p>\n\n\n\n<p>His &#8220;school&#8221; was  Rockfield, a studio set up on a farm in south Wales. He&#8217;d go in there for hours and hours, learning how to overdub his own voice and instruments. How to engineer them to sound the way he wanted.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"1973: DAVE EDMUNDS at ROCKFIELD STUDIOS | Nationwide | Classic BBC Music | BBC Archive\" width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/pzH74bhN094?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>His expertise soon made him the go-to man if you needed a recording that perfectly captured the style of rockabilly or early &#8217;60s pop or mid-&#8217;60s pop or whatever you needed. He served as &#8220;musical director&#8221; on movies and special concerts. He even ended up with a movie role in the 1974 melodrama <a href=\"https:\/\/www.imdb.com\/title\/tt0072201\/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Stardust&#8221;<\/a> (Dave did the music for it, too).<\/p>\n\n\n\n<p>These talents and skills led Dave to a second career as a producer. Artists he worked with were rewarded with perfect drum sounds (oh, he made the snare drum <em>count<\/em>). Bright acoustic rhythm guitars. And, of course, spot-on vocals and the best electric guitar tones.<\/p>\n\n\n\n<p>Just a partial list of artists produced by Dave Edmunds:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Stray Cats<\/li>\n\n\n\n<li>Foghat<\/li>\n\n\n\n<li>Flamin&#8217; Groovies<\/li>\n\n\n\n<li>k.d. Lang <\/li>\n\n\n\n<li>The Everly Brothers <\/li>\n\n\n\n<li>The Fabulous Thunderbirds<\/li>\n\n\n\n<li>Status Quo<\/li>\n\n\n\n<li>Nick Lowe<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-audio aligncenter\"><audio controls src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Tuff-Enuff-edit.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><em>&#8220;Tuff Enuff,&#8221; performed by the Fabulous Thunderbirds, produced by Dave Edmunds. The Texan group&#8217;s best-selling song. And they never sounded better.<\/em><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">The magic of Rockpile<\/h2>\n\n\n\n<p>Dave&#8217;s musical peak came with his four albums on Led Zeppelin&#8217;s label, Swan Song. This was also when Dave developed the definitive lineup of the band Rockpile: guitarist Billy Bremner, drummer Terry Williams and bassist\/songwriter\/foil Nick Lowe.<\/p>\n\n\n\n<p>The quartet played on most of the tracks of the Swan Song albums, touring between releases. They also played on Nick Lowe&#8217;s &#8220;solo&#8221; albums of the time, particularly &#8220;Labour of Lust&#8221; (home of his hit, &#8220;Cruel to Be Kind&#8221;).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"716\" height=\"800\" src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Rockpile79-716x800.png\" alt=\"\" class=\"wp-image-697\" style=\"width:400px\" srcset=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Rockpile79-716x800.png 716w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Rockpile79-268x300.png 268w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Rockpile79-134x150.png 134w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Rockpile79-768x858.png 768w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Rockpile79-1374x1536.png 1374w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Rockpile79-1280x1431.png 1280w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Rockpile79.png 1394w\" sizes=\"auto, (max-width: 716px) 100vw, 716px\" \/><figcaption class=\"wp-element-caption\"><em>Rockpile!<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>There&#8217;s a wonderful UK documentary, &#8220;Born Fighters,&#8221; that follows Rockpile as they recorded Lowe&#8217;s &#8220;Labor of Lust&#8221; and Dave&#8217;s &#8220;Repeat When Necessary.&#8221; It perfectly captures the dynamics of the band, from spotlighting each member&#8217;s contribution to revealing <em>just how much each of them was drinking at the time<\/em>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Go listen to these albums!<\/h2>\n\n\n\n<p><strong>Get It<\/strong> (1977): a mix of DIY Edmunds and some embryonic Rockpile. Nick Lowe&#8217;s brilliant &#8220;I Knew the Bride&#8221; is here, with a solo Dave vocal (though the song was at its best live, when Dave and Nick sang in harmony). Other highlights are &#8220;Let&#8217;s Talk About Us&#8221; and Bob Seger&#8217;s &#8220;Get out of Denver.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/08\/TroubleBoys.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><em>Dave Edmunds magic, captured in the first 30 seconds of &#8220;Trouble Boys.&#8221; Listen to its sound &#8211; the drums, the piano, the bass, the guitars. And that vocal!<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Tracks on Wax 4<\/strong> (1978): If aliens landed on our planet and demanded to know what &#8220;rock music&#8221; is, play them this. The musical decisions Dave makes, for vocals \/ guitars \/ drums \/ piano \/ attitude \u2013 make every track shine. Dave even gets some co-songwriting credits here, usually a collaboration with Nick Lowe.<\/p>\n\n\n\n<p>Highlights? All of them, but especially &#8220;Television&#8221; (ooooh, the vocals on the chorus), &#8220;Deborah&#8221; (Dave shows how sweet he can be) and &#8220;It&#8217;s My Own Business&#8221; (Dave shows how angry he can be).<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Television-edit.mp3\"><\/audio><figcaption class=\"wp-element-caption\"><em>&#8220;Television.&#8221; Song by Nick Lowe, magnificent vocal by Dave Edmunds.<\/em><\/figcaption><\/figure>\n\n\n\n<p><strong>Repeat When Necessary<\/strong> (1979): Reviewed well, somewhat commercially successful, it&#8217;s known for &#8220;Girls Talk&#8221; and &#8220;Crawling From The Wreckage&#8221; and &#8220;Sweet Little Lisa,&#8221; swinging rockers all. There&#8217;s also &#8220;Queen of Hearts,&#8221; where Dave creates a country ballad so sweet that singer Juice Newton scored a major hit by <em>copying Dave&#8217;s arrangement exactly<\/em>.<\/p>\n\n\n\n<p><strong>Twangin&#8217;<\/strong> (1981). This is mostly a contractual-obligation album, with tracks that had been lying around. It sure doesn&#8217;t sound or feel like it, though, with fine tunes like &#8220;Something Happens&#8221; (John Hiatt!), &#8220;Cheap Talk, Patter and Jive&#8221; (worth it just to hear Welshman Edmunds pronounce &#8220;jive&#8221;) and the rockabilly perfection of Dave&#8217;s cover of George Jone&#8217;s &#8220;The Race is On&#8221; &#8211; backed by his proteges the Stray Cats.<\/p>\n\n\n\n<p>Dave made records before and after Swan Song. Good records. But, oh, these four.<\/p>\n\n\n\n<p>Somehow, Dave&#8217;s penchant for precision &#8211; especially in the studio &#8211; blended nicely with Rockpile&#8217;s far freer (anarchic?) approach to playing.<\/p>\n\n\n\n<p>They recorded only one album under the group name &#8211; &#8220;Seconds of Pleasure.&#8221; It was OK. The group toured it in 1980 &#8211; and broke up shortly after.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Movie soundtracks, famous tours<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"207\" src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveAndGeorge-300x207.jpg\" alt=\"\" class=\"wp-image-722\" style=\"width:333px;height:auto\" srcset=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveAndGeorge-300x207.jpg 300w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveAndGeorge-150x104.jpg 150w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveAndGeorge-768x531.jpg 768w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/DaveAndGeorge.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\"><em>Dave Edmunds and George Harrison, having lots of fun singing together on a Carl Perkins special, October 1985.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Post-Rockpile, Dave played a lot: Movie soundtracks, tours with his own band or with people like Dion and Ringo Starr. He played a big part in the mid-1980s reunion of the Everly Brothers. He joined a 1985 tribute to Carl Perkins with George Harrison, Ringo Starr and Eric Clapton.<\/p>\n\n\n\n<p>In 1990, he was musical director of a John Lennon tribute concert. In Liverpool, no less.<\/p>\n\n\n\n<p>And Dave was a regular at the jam sessions that concluded each year&#8217;s Rock &amp; Roll Hall of Fame induction show.<\/p>\n\n\n\n<p>His last working years involved smaller tours of Britain and Europe, usually accompanied by musicians from Sweden. After years living in Los Angeles, he moved back to Wales.<\/p>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"157\" src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Setzer-retirement-300x157.jpg\" alt=\"\" class=\"wp-image-715\" srcset=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Setzer-retirement-300x157.jpg 300w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Setzer-retirement-150x79.jpg 150w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/07\/Setzer-retirement.jpg 684w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\"><em>The announcement<\/em><\/figcaption><\/figure>\n\n\n\n<p>Dave never did announce his 2017 retirement. His old protege Brian Setzer of the Stray Cats did, in a Facebook post about his upcoming show. Dave joined Brian onstage for the milestone.<\/p>\n\n\n\n<p>Not much has been heard from Dave since then. There were news stories when he auctioned off some guitars, particularly a Martin acoustic that had been a gift from Eric Clapton. Even then, Dave wasn&#8217;t the focus:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"274\" src=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/08\/guitarAuction-800x274.png\" alt=\"\" class=\"wp-image-764\" srcset=\"https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/08\/guitarAuction-800x274.png 800w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/08\/guitarAuction-300x103.png 300w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/08\/guitarAuction-150x51.png 150w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/08\/guitarAuction-768x263.png 768w, https:\/\/www.mirrer.com\/MirrerView\/wp-content\/uploads\/2025\/08\/guitarAuction.png 1170w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\"><em>&#8220;Welsh friend.&#8221; Sigh.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>(The guitar sold for $625,000.)<\/p>\n\n\n\n<p>Toward the end of July 2025, Dave&#8217;s wife Cici made a highly emotional post on social media, saying her husband &#8220;had a major cardiac arrest.&#8221; A few days later, Dave&#8217;s friend and singing partner Carlene Carter reported that Dave was improving and <a href=\"https:\/\/www.facebook.com\/share\/p\/14EK1VsNR54\/\" data-type=\"link\" data-id=\"https:\/\/www.facebook.com\/share\/p\/14EK1VsNR54\/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;would be out of the hospital soon.&#8221;<\/a><\/p>\n\n\n\n<p>Dave is 81 years old. He already had heart surgery back in the 1990s.<\/p>\n\n\n\n<p>Fortunately, his music is still there to enjoy. If ever I need a smile on my face, I put on music by Dave Edmunds.<\/p>\n\n\n\n<p>Thank you, Dave.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Why I wrote this<\/h2>\n\n\n\n<p>It was summer, 1979. I&#8217;d been writing a music column for five years<sup>5<\/sup>.<\/p>\n\n\n\n<p>I went to see Dave and his band, Rockpile, opening for Blondie. I liked Blondie, but I was there for Rockpile.<\/p>\n\n\n\n<p>Rockpile played for only 20 minutes. And, in that brief time, Dave and his guys reinforced why I loved music, why I gravitated to rock &#8216;n&#8217; roll. And why Dave was better at it than anyone else.<\/p>\n\n\n\n<p>I got to hear Dave live two more times \u2013 the 1980 Rockpile &#8220;Seconds of Pleasure&#8221; tour, then &#8211; 21 years later! \u2013&nbsp;an amazing performance by Dave, alone, playing whatever he felt like on acoustic guitar: &#8220;Blue Moon of Kentucky,&#8221; &#8220;Men of Harlech,&#8221; &#8220;Classical Gas,&#8221; &#8220;I Knew the Bride.&#8221;<\/p>\n\n\n\n<p>I&#8217;ve burned through several vinyl copies of Dave&#8217;s albums. Got them on CD. Still listen to him. A lot.<\/p>\n\n\n\n<p>And, every time, he reminds me of the joys of music. And his particular take on it.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Notes<\/h2>\n\n\n\n<p>1 No less than John Lennon was a massive fan of &#8220;I Hear You Knocking,&#8221; mentioning it and Dave several times in his extensive 1971 interview for Rolling Stone magazine.<\/p>\n\n\n\n<p>2 Springsteen invited Dave backstage at his Wembley concert to give Dave his &#8220;From Small Things, Big Things Come.&#8221; Elvis Costello gave him the early demo of &#8220;Girls Talk,&#8221; which Dave turned from a somewhat contemplative tune to a shiny rocker.<\/p>\n\n\n\n<p>3 Early in his career, Dave&#8217;s record company recommended he make a blues album. &#8220;What&#8217;s blues?&#8221; he responded. He caught on quick. His &#8217;60s band Love Sculpture released &#8220;Blues Helping&#8221; and, while it is far from Edmunds&#8217; best work, it&#8217;s no worse than the efforts of other British musicians of the era.<\/p>\n\n\n\n<p>4 Dave&#8217;s acting role in &#8220;Stardust&#8221; is pretty tiny. His only line is to tell David Essex to &#8220;piss off.&#8221; He appeared in another, truly dire, movie: 1984&#8217;s &#8220;Give My Regards to Broad Street,&#8221; written by and starring Paul McCartney. It makes about as much sense as McCartney&#8217;s previous cinematic project, &#8220;Magical Mystery Tour.&#8221;<\/p>\n\n\n\n<p>5 I retired the music column in 1986. It was a good run.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Selected Discography<\/h2>\n\n\n\n<p>TK<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">More links<\/h2>\n\n\n\n<p>TK<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dave Edmunds didn&#8217;t invent rock &#8216;n&#8217; roll. But he studied it. Absorbed it. Made it part of his very being. And, once he blended it with his own unique style, Dave Edmunds made rock &#8216;n&#8217; roll better. An original, even when he copied someone Despite 50 years in the music biz, Dave was very good&hellip;<\/p>\n <a href=\"https:\/\/www.mirrer.com\/MirrerView\/2025\/07\/30\/how-dave-edmunds-changed-rock-n-roll\/\" title=\"How Dave Edmunds changed rock &#8216;n&#8217; roll\" class=\"entry-more-link\"><span>Read More<\/span> <span class=\"screen-reader-text\">How Dave Edmunds changed rock &#8216;n&#8217; roll<\/span><\/a>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"Layout":"","footnotes":""},"categories":[44,34],"tags":[57,32,56,55],"class_list":["entry","author-admin","post-693","post","type-post","status-publish","format-standard","category-entertainment","category-music","tag-dave-edmunds","tag-music","tag-rock","tag-rock-n-roll"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/posts\/693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/comments?post=693"}],"version-history":[{"count":72,"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/posts\/693\/revisions"}],"predecessor-version":[{"id":821,"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/posts\/693\/revisions\/821"}],"wp:attachment":[{"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/media?parent=693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/categories?post=693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mirrer.com\/MirrerView\/wp-json\/wp\/v2\/tags?post=693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}